Show Dogs movie review: everything is awful
Embarrassingly bad CGI; pratfalls; genital humor; denigration of cat ladies; horrible clichés and stereotypes. This is the cinematic equivalent of stepping in dog poop. You know, for kids!
Smurfs
Fast & Furious 8 (aka The Fate of the Furious) movie review: notes from the critics’ ward
EMPs and nukular codes and cyber crap and submarines, oh my! “What does this have to do with us?” Michelle Rodriguez cries, and I’m like I know, right?
Smurfs: The Lost Village movie review: how do you solve a problem like Smurfette?
An adventure crammed with junky slapstick and garish animation that seems to believe it is feminist, but only doubles down on Smurfily regressive notions of gender.
Trolls movie review: you can’t stop the cute
Cute and sweet and will put you to sleep, like a diabetic coma, and then it will smack you awake with its relentlessly cheery vivid-pastel optimism.
fun stuff from FlickFilosopher stats week of Jul 13-19 2013
Actual unretouched phrases that people plugged into search engines this week that led them to this site (with some commentary from me)…
fun stuff from FlickFilosopher stats week of Jun 22-28 2013
Actual unretouched phrases that people plugged into search engines this week that led them to this site (with some commentary from me)…
fun stuff from FlickFilosopher stats week of Jan 5-11 2013
Actual unretouched phrases that people plugged into search engines this week that led them to this site (with some commentary from me):
is NBC’s Revolution a *complete* theft of S.M. Stirling’s Dies the Fire? (and other adventures in social networking)
Links my followers on Facebook, Twitter, and Google+ saw today…
London photo of the day: Lord Voldemort really wants that last Smurfs DVD
He Who Must Not Be Named and Harry Potter battle for supremacy of the HMV in Piccadilly Circus.
question of the day: Has Hollywood abandoned young men?
Transformers, Pirates of the Caribbean, Thor, Green Lantern, X-Men, Captain America, etc. This is what 2011 looks like at the movies. In what way can it be construed that young men are “endangered” at the box office?
