Surveillance (review)
Jennifer Lynch is, like her famouser filmmaker dad David, totally demented. In a good way. Her second feature -- a long time coming after 1993’s twisted Boxing Helena -- is slow-boil sinister, delivering the kind of simmering menace that few films can bother to take the time for these days, it seems. FBI agents Bill Pullman (Bottle Shock) and Julia Ormond (The Curious Case of Benjamin Button) arrive in middle-of-nowhere Middle America to investigate a serial-killing spree, with three groups of witnesses to question: a couple of sociopathic cops (a terrifying and unrecognizable French Stewart, and Kent Harper, who cowrote the script with Lynch); a family on vacation, including a little girl (Ryan Simpkins) with a keenly observant eye; and a pair of romantic junkies (Pell James [Zodiac] and Mac Miller). Edging right up to a place where discomfort becomes denial -- as in, “I don’t want to be watching this” -- Lynch juggle some very unsettling notions with an aplomb so casual it in itself becomes unsettling. I was mixed on this provocative and unnerving film when I saw it on a big screen: its evil is depicted as so banal (until, shockingly, it isn’t) as to feel a tad underpowered, though that’s not necessarily a bad thing, thematically speaking. But Pullman and Ormond, around whose work the film swirls, are astonishing in complex roles, and the film is well worth a look on DVD for their performances, as well as for Lynch’s mastery of pacing. (DVD extras, not reviewed, include deleted scenes, an alternate ending -- though it’s hard to conceive of anything more perverse than what we get -- commentary by Lynch, and more.) Disqus commentsblog comments powered by Disqus |
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Tue Aug 18 09, 3:13PM categories: reviews > 2009 theatrical releases reviews > new on dvd permalink 4 pre-Disqus comments Disqus comments infoMPAA: rated R for strong bloody violence, pervasive language, some drug use and a scene of aberrant sexuality viewed at a private screening with an audience of critics official site IMDB trailer more reviews at: Movie Review Query Engine dvdAmazon U.S. Amazon U.K. tip jarshare
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Bill Pullman
arthouseBoxing Helena David Lynch French Stewart Jennifer Lynch Julia Ormond Kent Harper Mac Miller Pell James Ryan Simpkins Surveillance crime suspense/thriller related· trailer break: ‘Surveillance’ · my week at the movies: ‘Land of the Lost,’ ‘The Hangover,’ ‘Surveillance,’ ‘Imagine That,’ ‘Cheri,’ ‘Downloading Nancy,’ ‘Sex Positive’ · opening in the U.S. and Canada June 26: ‘Transformers: Revenge of the Fallen,’ ‘My Sister’s Keeper,’ ‘The Hurt Locker,’ ‘Cheri,’ more · cinematic roots of: ‘Saw 3D’ · McHale’s Navy (review) · Kit Kittredge: An American Girl (review) · John Barrowman serenades the Doctor, an Icelandic blockbuster, ‘Alice in Wonderland’ a disaster?, more: leftover links · retro trailer: ‘Laura’ · new DVD releases in Region 2, June 29 · Torchwood: Miracle Day: Episode 9: “The Gathering” (review) bloggyprevious post: trailer break: ‘Gentlemen Broncos’ next post: watch it: “Superfriends meets Friends” |










pre-Disqus comments
posted by mortadella (Tue Aug 18 09, 10:07PM)
I really enjoyed this film....the performances, across the board were excellent, I thought.
Bill Pullman, in the beginning gave this really interesting vibe...like someone emotionally constipated.
Julia Ormond, wow, what she did, especially near the end of the film, was disturbing but sexy. The more her hair came down....the sicker and more erotic things became.
A lot of the reviews out there weren't exactly glowing. Many critics, I noticed, seemed to take great pleasure in pointing out that Jennifer Lynch is NOT her father and never will be. Whatever. I dunno, I like what she did. In fact, I enjoyed my second viewing twice as much as the first. The thrill of "big reveal" paled in comparison to just soaking up the nuances of the performances.
posted by Orodemniades (Wed Aug 19 09, 9:51PM)
Holy crap. I was unsettled from the opening credits. And really, watching this alone, in my living room with no curtains, on a rural dirt road after it's dark out? Creepy does not begin to describe it.
I can't believe it's French Stewart! And Cheri Oteri from SNL - who knew?
This movie is messed up. And I mean that in the best of ways.
But still.
*shudder*
posted by Pollas (Sat Dec 12 09, 5:21PM)
Hmm, it's interesting that critics said Lynch was not like her father. 'Cause at the end of this my first thought was, "She is her father's daughter". Maybe not as polished as his films, but you could switch their names as director and I wouldn't blink.
posted by Jean (Sun Jan 03 10, 6:37PM)
I still cannot understand why many critics are saying this movie is incoherent or baffling. Or the comparisons to Rashomon - I mean to think it's a remake of Rashomon, or to think them similar in any significant way is to have a very superficial view of either.