UPDATE 01.12.16:
And the winners are…
AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film: Spotlight
Best Director: Tom McCarthy – Spotlight
Best Screenplay, Original: Spotlight – Josh Singer, Tom McCarthy
Best Screenplay, Adapted: Carol – Phyllis Nagy
Best Documentary: Amy
Best Animated Film: Inside Out
Best Actress: Charlotte Rampling – 45 Years
Best Actress in a Supporting Role: Kristin Stewart – Clouds of Sils Maria
Best Actor: Leonardo DiCaprio – The Revenant
Best Actor in a Supporting Role: Paul Dano – Love & Mercy
Best Ensemble Cast: Spotlight and Straight Outta Compton (TIE)
Best Editing: Mad Max: Fury Road – Margaret Sixel
Best Cinematography: Carol – Edward Lachman
Best Film Music or Score: The Hateful Eight – Ennio Morricone
Best Non-English-Language Film: Son of Saul
EDA FEMALE FOCUS AWARDS
These awards honor women only.
Best Woman Director: Marielle Heller – The Diary of a Teenage Girl
Best Woman Screenwriter: Emma Donoghue – Room
Best Female Action Star: Charlize Theron – Mad Max: Fury Road
Best Breakthrough Performance: Alicia Vikander – Ex Machina, Testament of Youth, The Danish Girl
Female Icon of the Year Award (a woman whose work in film and/or in life made a difference): Chantal Ackerman – in memoriam, for being a great filmmaker and inspiration
EDA SPECIAL MENTION AWARDS
Best Depiction of Nudity, Sexuality, or Seduction: Anomalisa and Carol (TIE)
Actress Defying Age and Ageism: Charlotte Rampling and Lily Tomlin (TIE)
Most Egregious Age Difference Between the Lead and the Love Interest Award: Danny Collins – Al Pacino (born 1940) and Katarina Cas (born 1976)
Actress Most in Need of a New Agent: Emma Stone – Aloha
Movie You Wanted to Love, But Just Couldn’t: The Danish Girl
PREVIOUS: 12.27.15:
The Alliance of Women Film Journalists — of which I am a member — has announced the nominees for its 2015 EDA Awards. I’ve seen most of these, but have a few to catch up with before I can complete my ballot, with reviews to come for most if not all those I haven’t yet reviewed. Winners will be announced on Tuesday, January 12th.
And the nominees are:
AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film
Carol
Mad Max: Fury Road
The Martian
Room
Spotlight
Best Director
Lenny Abramson – Room
Todd Haynes – Carol
Alejandro Gonzales Inarritu – The Revenant
Tom McCarthy – Spotlight
George Miller – Mad Max: Fury Road
Ridley Scott – The Martian
Best Screenplay, Original
Ex Machina – Alex Garland
Inside Out – Pete Docter, Ronnie Del Carmen, Meg LeFauve, Josh Cooley
Spotlight – Josh Singer, Tom McCarthy
Best Screenplay, Adapted
The Big Short – Charles Randolph, Adam McKay
Carol – Phyllis Nagy
The Martian – Drew Goddard
Room – Emma Donoghue
Best Documentary
Amy
Best of Enemies
Going Clear: Scientology and the Prison of Belief
The Hunting Ground
What Happened, Miss Simone?
Best Animated Film
Anomalisa
Inside Out
Shaun the Sheep Movie
Best Actress
Cate Blanchett – Carol
Brie Larson – Room
Charlotte Rampling – 45 Years
Best Actress in a Supporting Role
Rooney Mara – Carol
Kristin Stewart – Clouds of Sils Maria
Alicia Vikander – Ex Machina
Kate Winslett – Steve Jobs
Best Actor
Matt Damon – The Martian
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl
Best Actor in a Supporting Role
Paul Dano – Love & Mercy
Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed
Best Ensemble Cast
The Big Short
Spotlight
Straight Outta Compton
Best Editing
The Big Short
Mad Max: Fury Road – Margaret Sixel
Spotlight – Tom McArdle
Best Cinematography
Carol – Edward Lachman
Mad Max: Fury Road – John Seale
The Revenant – Emmanuel Lubezki
Best Film Music or Score
Carol – Carter Burwell
The Hateful Eight – Ennio Morricone
Mad Max: Fury Road – Junkie XL
Youth – David Lang
Best Non-English-Language Film
Mustang
Phoenix
Son of Saul
EDA FEMALE FOCUS AWARDS
These awards honor women only.
Best Woman Director
Isabel Coixet – Learning to Drive
Maya Forbes – Infinitely Polar Bear
Sarah Gavron – Suffragette
Marielle Heller – The Diary of a Teenage Girl
Celine Sciamma – Girlhood
Best Woman Screenwriter
Emma Donoghue – Room
Marielle Heller – The Diary of a Teenage Girl
Phyllis Nagy – Carol
Amy Schumer – Trainwreck
Best Female Action Star
Emily Blunt – Sicario
Jennifer Lawrence – The Hunger Games: Mockingjay – Part 2
Daisy Ridley – Star Wars: The Force Awakens
Charlize Theron – Mad Max: Fury Road
Best Breakthrough Performance
Brie Larson – Room
Bel Powley – The Diary of a Teenage Girl
Daily Ridley – Star Wars: The Force Awakens
Alicia Vikander – Ex Machina, Testament of Youth, The Danish Girl
Female Icon of the Year Award (a woman whose work in film and/or in life made a difference)
Chantal Ackerman – in memoriam, for being a great filmmaker and inspiration
Maria Geise – activist filmmaker who is spearheading the movement for parity for women directors
Donna Langley – chair(wo)man, Universal Pictures, who has brought the studio to unprecedented profits
Jennifer Lawrence – for breaking the silence about discriminatory practices and unequal pay for actresses
Charlotte Rampling – because she’s Charlotte Rampling and is iconic
EDA SPECIAL MENTION AWARDS
Best Depiction of Nudity, Sexuality, or Seduction
Anomalisa
Carol
The Diary of a Teenage Girl
Actress Defying Age and Ageism
Helen Mirren
Charlotte Rampling
Lily Tomlin
Most Egregious Age Difference Between the Lead and the Love Interest Award
Danny Collins – Al Pacino and Katarina Cas
Freeheld – Julianne Moore and Ellen Page
Irrational Man – Joaquin Phoenix and Emma Stone
Spectre – Daniel Craig and Lea Seydoux
Actress Most in Need of a New Agent
Bryce Dallas Howard – Jurassic World
Dakota Johnson – Fifty Shades of Grey
Emma Stone – Aloha
Movie You Wanted to Love, But Just Couldn’t
Aloha
The Danish Girl
The Hateful Eight
Sisters



















Jennifer Lawrence = Female Icon of the Year.
and Best Actress.
CHARLOTTE RAMPLING
NOT.
Can Spectre (Daniel Craig and Lea Seydoux) please win the Love Interest age difference award? It was so pathetic, particularly given he had bonked a more age appropriate woman (Monica Belluci) earlier in the film. The Craig/Seydoux relationship really stopped me from enjoying Spectre as much as I wanted to.
Their age difference isn’t anywhere near the worst this year, though. (The Danny Collins one is.)