And the winners are…
AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film: The Shape of Water
Best Director: Guillermo del Toro – The Shape of Water
Best Screenplay, Original: Jordan Peele – Get Out
Best Screenplay, Adapted: James Ivory – Call Me by Your Name
Best Documentary: Faces Places (Visages, Villages)
Best Animated Film: Coco AND Loving Vincent (tie)
Best Actress: Frances McDormand – Three Billboards Outside Ebbing, Missouri
Best Actress in a Supporting Role: Laurie Metcalf – Lady Bird
Best Actor: Gary Oldman – Darkest Hour
Best Actor in a Supporting Role: Willem Dafoe – The Florida Project
Best Ensemble Cast – Casting Director: Billy Hopkins, Ashley Ingram – Mudbound
Best Cinematography: Roger Deakins – Blade Runner 2049
Best Editing: Lee Smith – Dunkirk
Best Non-English-Language Film: The Square
EDA FEMALE FOCUS AWARDS
These awards honor women only.
Best Woman Director: Greta Gerwig – Lady Bird
Best Woman Screenwriter: Greta Gerwig – Lady Bird
Best Animated Female: Parvana – The Breadwinner
Best Breakthrough Performance: Brooklynn Prince – The Florida Project
Outstanding Achievement by a Woman in the Film Industry: Rose McGowan, Ashley Judd, and all who spoke out against sexual harrassment
EDA SPECIAL MENTION AWARDS
Actress Defying Age and Ageism: Agnes Varda – Faces Places (Visages, Villages)
Most Egregious Age Difference Between the Lead and the Love Interest Award: Chloe Grace Moretz and John Malkovich – I Love You, Daddy
Actress Most in Need Of a New Agent: Kate Winslet – Wonder Wheel, The Mountain Between Us
Bravest Performance: Sally Hawkins – The Shape of Water AND Margot Robbie – I, Tonya (tie)
Remake or Sequel That Shouldn’t Have Been Made: The Mummy
AWFJ Hall of Shame Award: sexual tormentors: Harvey Weinstein, Kevin Spacey, Brett Ratner, et al
PREVIOUS: 01.03.18:
The Alliance of Women Film Journalists — of which I am a member — has announced the nominees for its 2017 EDA Awards. Links here go to my reviews, with reviews to come for most if not all those I haven’t yet reviewed. Winners will be announced on Tuesday, January 9th.
And the nominees are:
AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film
Call Me by Your Name
Get Out
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri
Best Director
Guillermo del Toro – The Shape of Water
Greta Gerwig – Lady Bird
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Christopher Nolan – Dunkirk
Jordan Peele – Get Out
Best Screenplay, Original
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Best Screenplay, Adapted
James Ivory – Call Me by Your Name
Aaron Sorkin – Molly’s Game
Dee Rees – Mudbound
Best Documentary
Dawson City: Frozen Time
Faces Places (Visages, Villages)
Jane
Kedi
Step
Best Animated Film
The Breadwinner
Coco
Loving Vincent
Best Actress
Sally Hawkins – The Shape of Water
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Best Actress in a Supporting Role
Mary J. Blige – Mudbound
Allison Janney – I, Tonya
Laurie Metcalf – Lady Bird
Best Actor
Timothee Chalamet – Call Me by Your Name
Daniel Kaluuya – Get Out
Gary Oldman – Darkest Hour
Best Actor in a Supporting Role
Willem Dafoe – The Florida Project
Sam Rockwell – Three Billboards Outside Ebbing, Missouri
Michael Stuhlbarg – Call Me by Your Name
Best Ensemble Cast – Casting Director
Billy Hopkins, Ashley Ingram – Mudbound
Ellen Lewis – The Post
Sara Finn – Three Billboards Outside Ebbing, Missouri
Best Cinematography
Roger Deakins – Blade Runner 2049
Hoyte van Hoytema – Dunkirk
Dan Laustsen – The Shape of Water
Best Editing
Jonathan Amos, Paul Machliss – Baby Driver
Lee Smith – Dunkirk
Sidney Wolinsky – The Shape of Water
Best Non-English-Language Film
BPM (Beats Per Minute)
First They Killed My Father
The Square
EDA FEMALE FOCUS AWARDS
These awards honor women only.
Best Woman Director
Kathryn Bigelow – Detroit
Greta Gerwig – Lady Bird
Patty Jenkins – Wonder Woman
Angelina Jolie – First They Killed My Father
Dee Rees – Mudbound
Angela Robinson – Professor Marston & the Wonder Women
Agnes Varda – Faces Places (Visages, Villages)
Best Woman Screenwriter
Greta Gerwig – Lady Bird
Liz Hannah – The Post
Dee Rees – Mudbound
Best Animated Female
Mama Imelda – Coco
Marguerite Gachet – Loving Vincent
Parvana – The Breadwinner
Best Breakthrough Performance
Tiffany Haddish – Girls Trip
Brooklynn Prince – The Florida Project
Florence Pugh – Lady Macbeth
Outstanding Achievement by a Woman in the Film Industry
Greta Gerwig – Lady Bird
Patty Jenkins – Wonder Woman
Angelina Jolie – First They Killed My Father, The Breadwinner
Rose McGowan, Ashley Judd, and all who spoke out against sexual harrassment
EDA SPECIAL MENTION AWARDS
Actress Defying Age and Ageism
Annette Bening – Film Stars Don’t Die in Liverpool
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Agnes Varda – Faces Places (Visages, Villages)
Most Egregious Age Difference Between the Lead and the Love Interest Award
Chloe Grace Moretz and John Malkovich – I Love You, Daddy
Jennifer Lawrence and Javier Bardem – mother!
Tom Cruise and Annabelle Wallis, Sarah Wright – The Mummy, American Made, respectively
Actress Most in Need Of a New Agent
Dakota Johnson – Fifty Shades Darker
Jennifer Lawrence – mother!
Kate Winslet – Wonder Wheel, The Mountain Between Us
Bravest Performance
Sally Hawkins – The Shape of Water
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Remake or Sequel That Shouldn’t Have Been Made
Baywatch
The Mummy
Murder on the Orient Express
AWFJ Hall of Shame Award
Darren Aronovsky and all associated with mother!
Louis CK and all associated with I Love You, Daddy
sexual tormentors: Harvey Weinstein, Kevin Spacey, Brett Ratner, et al



















Ugh, why did you nominate Murder on the Orient Express for that? It’s a good,inoffensive movie.
Think about the opportunity cost – the things that could have been done with the budget, with the cast, with the crew, that could have made for something better than an “inoffensive” film that approximately nobody will remember by next Christmas.
And yet it’s made $348M (so far) on a $55M budget.
So what? You think that’s a measure of quality? The film has a Cinemascore of B, which means most ordinary moviegoers on opening weekend (the ones most excited to see it, that is) felt only kinda meh about it. Which suggests, as RogerBW says, that it will be quickly forgotten.
Sorry, dude! We’ll be sure to check with you next time about the objective quality of films.