
loaded question: what’s the hardest or longest you’ve ever cried at a movie or TV show?
I have lots of answers I could give to this, so I’ll offer the most recent one: Station Eleven, the new postapocalyptic miniseries that is beyond wonderful…

I have lots of answers I could give to this, so I’ll offer the most recent one: Station Eleven, the new postapocalyptic miniseries that is beyond wonderful…

Can you sue when all the funny bits are in the trailer? Can you sue if a piece of music you love is in the trailer but not in the movie? What would compel you to take legal action?

Inspired by China’s new censoring of the ending of Fight Club, in the most bizarre way…

I’m thinking of events that haven’t already been covered on film, but if you’re aware of an unexplored angle on an event that has been seen onscreen, that’ll work, too.

And if it is going to appear there, does the museum have an obligation to engage in robust criticism of it (not necessarily negative, just analytical) to avoid it feeling like, as a New York Times critic termed it, “a sponsored content post”?

For me, I don’t like most of the movies Hollywood considers scary — such as most of what is labeled “horror” — primarily because I simply don’t find that sort of thing scary.

I suppose it’s not out of the question, but I can’t imagine getting really caught up in a movie’s music until I actually see the movie.

If you’re too young to have had experienced them, what do you imagine you might have missed?

I’m very excited by this project! I can heartily recommend two of the six films — A Girl Walks Home Alone at Night and Mustang — and I am going to take this opportunity to catch up with the other four.

Movies for understanding racism and white supremacy in America. [A teaser of an essay for Patreon patrons and Substack subscribers only.]